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A Drifting Life Yoshihiro Tatsumi Taro Nettleton Adrian Tomine 9781897299746 Books

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A Drifting Life Yoshihiro Tatsumi Taro Nettleton Adrian Tomine 9781897299746 Books

There have been many attempts at autobiographical graphic novels, Binky Brown and I Saw It among the earliest and Maus the best-known. I think it's fair to say that only fans of the genre and people interested in the specific issues explored were enthusiastic about these books.

Yoshihiro Tatsumi has created something totally different, a memoir that speaks to everyone, in totally original form. He tells an absorbing story using a few simple words and a few simple lines. He uses panels to pace the story, to focus details, to show facial expression, to convey emotion; in ways distinct from written autobiographies, but also distinct from film-makers, painters, photographers and anyone else who ever tried to use art to convey the feeling and meaning of a life.

I feel the reviewers complaining about the lack of depth are missing the point. The author's technique cannot go below the surface, he's drawing pictures. He can use those pictures to suggest depths, but not to explore them. A writer can spend thousands of words (or more) describing internal psychological states or conveying depth in other ways. Other graphic novelists, and also film-makers and painters, attempt to do the same by leaving realism behind or by including a lot of detail. Tatsumi confines himself to simple realism, but realism as perceived at the time, and stripped down to essential lines. He tells us what he saw and leaves it to us to imagine what went on below (and above, and before, and after).

To take one example, a historian might want to know the name and background of the waitress in the restaurant beneath his apartment who tries to seduce him with comic results. An artist might paint a haunting evocation of youth and inexperience and lust. Tatsumi draws her as he saw her, essentials only, few facts and no reliable ones. Was she young and pretty, confident and cheerful, hardworking and promiscuous? We know he thought so at the time, nothing more, but also nothing less. He conveys the episode not in one detailed picture, but in a dozen quick sketches, with word balloons and backdrops. In this way we learn about his life in a different manner than any previous autobiographical work of art, we learn different aspects than we have ever encountered.

This is not only a book for Manga fans. It's a story anyone can understand. The pain of having your ideas ignored or misunderstood. The pleasure of winning some degree of acceptance, and the frustration when others twist it for their own ends (but at the same time, the temptation of letting them do it, to gain recognition and money at the expense of artistic purity). The complex personal relationships, often searing, sometimes wondrous. The ups and downs of collaboration. The enigma of other people, those we love, those we respect and those we fear. All this with a backdrop of Japanese history and culture, a boy growing up, and an art form evolving.

This is an extraordinary masterwork. It takes only a couple of hours to read and you will be drawn into it in a different manner from anything else you've ever experienced.


Tags : A Drifting Life [Yoshihiro Tatsumi, Taro Nettleton, Adrian Tomine] on Amazon.com. *FREE* shipping on qualifying offers. <b>The epic autobiography of a manga master</b> <b></b> <b></b>Acclaimed for his visionary short-story collections The Push Man and Other Stories</i>,Yoshihiro Tatsumi, Taro Nettleton, Adrian Tomine,A Drifting Life,Drawn & Quarterly,1897299745,Personal Memoirs,Cartoonists - Japan,Cartoonists;Japan;Biography.,Comic books, strips, etc,Comic books, strips, etc - Japan,Graphic novels,Graphic novels - Japan,Graphic novels;Japan.,Japan - Social life and customs - 1945-,031202 Drawn and Quarterly PB,Artists, Architects, Photographers,Asian,BIOGRAPHY & AUTOBIOGRAPHY Personal Memoirs,Biography,Biography & Autobiography,Biography & AutobiographyArtists, Architects, Photographers,BiographyAutobiography,COMICS & GRAPHIC NOVELS Nonfiction General,Cartoonists,Fine Arts,GRAPHIC WORKS NONFICTION,General,General Adult,Japan,Non-Fiction,Nonfiction - General,United States

A Drifting Life Yoshihiro Tatsumi Taro Nettleton Adrian Tomine 9781897299746 Books Reviews

Great manga. It goes into the modern history of the art and our main character's journey to become a manga artist is good.
It's an interesting book, but the binding cell apart before I was halfway through.
This book is a bit like Marjane Satrapi's "Persepolis" in terms of genre - autobiographical and set against a historic drawback (in this case, the socioeconomic and cultural evolution in a post-war Japan). But Tatsumi's narrative is less witty, impassioned or intimate in comparison. I think it's due to both personal and generational differences. Tatsumi's visual style in this book is particularly simple and modest. But I did enjoy reading it, particularly the "immaculate staging" (as Publishers Weekly put it) and interesting factoids of that period. I'm comparing the book to Persepolis only because Persepolis has gained prominence in pop culture, not that it's the standard.
Chunks of pages would come out from the seams as I read. Not the best quality, but the grgaphic novel was interesting. A very cool memoir. There is nudity in illustrations.
Although it has just come out and I've only read it once, I have no hesitation in saying that "A Drifting Life" is a manga classic. If you have read and enjoyed "Barefoot Gen," the more mature Tezuka works, or even newer manga like "Monster" or "Pluto" by Urasawa you need to check this out.

The art is simple and easy to read. The story is engaging and interesting all the way through. It really left me wanting more - I read all 800+ pages in one weekend. You get to see how classic manga was made and get insight into the industry.

This is not manga for kids. This is an intriguing story for adults. I would also recommend it to those who are new to manga/graphic novels because it is an extremely easy and intuitive read. Don't be intimidated by the page count. I read manga 5-10 times quicker than prose/regular books, and at least twice as quick as regular american comics.

I hope he writes a sequel because I am interested to know what his life in manga was like after this book ends.
I have loved everything about this book. Deeply personal semi-autobiagraphical memoir chronicling a man's passion for manga and creating them while also revealing their history. All against the backdrop of post WW2 Japan and an often hard And dysfunctional life. Brutally honest, hopeful and heartbreaking. As real as it gets and GREAT art,and storytelling. Artists of all sorts should appreciate it, seeing him go through the same kinds of struggles and feelings and commitment is inspiring and comforting. I don't know what people are rating it low against? What standard? This book is a classic work that can sit next to any other intellectual comic. Meaty and ripped out of his heart, served on a silver georgeously illustrated platter.
The concept of "A Drifting Life" couldn't be simpler The life story of one of the early masters of manga, told (of course) as a manga. But it ends up being far more than that. Among other things, it's a panoramic action shot of postwar Japan, and a meditation (I know how pretentious this sounds, but it can't be helped) on the power of art to transform one's life. And it's gorgeously drawn, but more than that, it's drawn in ways that keep the narrative moving for hundreds of pages. It's long, and it can be a bit difficult (especially for those of us who aren't Japanese), but it's hugely rewarding. Highly recommended.
There have been many attempts at autobiographical graphic novels, Binky Brown and I Saw It among the earliest and Maus the best-known. I think it's fair to say that only fans of the genre and people interested in the specific issues explored were enthusiastic about these books.

Yoshihiro Tatsumi has created something totally different, a memoir that speaks to everyone, in totally original form. He tells an absorbing story using a few simple words and a few simple lines. He uses panels to pace the story, to focus details, to show facial expression, to convey emotion; in ways distinct from written autobiographies, but also distinct from film-makers, painters, photographers and anyone else who ever tried to use art to convey the feeling and meaning of a life.

I feel the reviewers complaining about the lack of depth are missing the point. The author's technique cannot go below the surface, he's drawing pictures. He can use those pictures to suggest depths, but not to explore them. A writer can spend thousands of words (or more) describing internal psychological states or conveying depth in other ways. Other graphic novelists, and also film-makers and painters, attempt to do the same by leaving realism behind or by including a lot of detail. Tatsumi confines himself to simple realism, but realism as perceived at the time, and stripped down to essential lines. He tells us what he saw and leaves it to us to imagine what went on below (and above, and before, and after).

To take one example, a historian might want to know the name and background of the waitress in the restaurant beneath his apartment who tries to seduce him with comic results. An artist might paint a haunting evocation of youth and inexperience and lust. Tatsumi draws her as he saw her, essentials only, few facts and no reliable ones. Was she young and pretty, confident and cheerful, hardworking and promiscuous? We know he thought so at the time, nothing more, but also nothing less. He conveys the episode not in one detailed picture, but in a dozen quick sketches, with word balloons and backdrops. In this way we learn about his life in a different manner than any previous autobiographical work of art, we learn different aspects than we have ever encountered.

This is not only a book for Manga fans. It's a story anyone can understand. The pain of having your ideas ignored or misunderstood. The pleasure of winning some degree of acceptance, and the frustration when others twist it for their own ends (but at the same time, the temptation of letting them do it, to gain recognition and money at the expense of artistic purity). The complex personal relationships, often searing, sometimes wondrous. The ups and downs of collaboration. The enigma of other people, those we love, those we respect and those we fear. All this with a backdrop of Japanese history and culture, a boy growing up, and an art form evolving.

This is an extraordinary masterwork. It takes only a couple of hours to read and you will be drawn into it in a different manner from anything else you've ever experienced.